Paper Plate Holders Wicker

Who did not lose, the new book by Aldo Ferraris The

E 'was presented Friday, Feb. 11, at the' HDE Piazzetta Nilo in Naples, the last book of poems by Aldo Ferraris , entitled "Who has not had forgiveness," published by Editions Kairos in the series "Words of Sibylla" directed and edited by Antonio Spagnuolo .
The first feeling you get from reading the verses of this interesting poet Novara, is to be in front of a modern minstrel, or rather a modern bard. Especially in the first part, the long monologue entitled "Who does not ha avuto perdono ”, che dà anche il titolo all’intera silloge, il pensiero va parallelamente agli antichi cantori greci, se non altro per la grande musicalità di questi versi, per il ritmo cadenzato e per la loro sonorità. Anche in “ Esuli ”, la seconda parte, si ritrova l’impronta del cantore classico: “ Rivelami, luce abissale, la parte innocente del visibile / il nome dei venti a cui affidare l’ansia delle vele / rivelami il segno da tracciare sul corpo delle cose / l’imperfezione del gesto che porta alla conoscenza ”: sembra quasi di riascoltare quel “ Cantami o diva del Pelìde Achille l’ira funesta ... "In the preface to the Iliad. Here too, our poet-singer implores his light abysmal, that is the mysterious depths of being, in a desperate attempt to give meaning to things and the human journey (reveal to the route, deceiver of horizons).
But returning to the first poem, "Who has not had forgiveness, plus we must commend the author for the appropriate choice is one way of showing dell'esergo Ungaretti:" Seeking an innocent country "is the first verses of introduction or presentation: "Now who had lost / will not get it, it's so late. / Now that this century was crouched in his ashes / and makes no mention of repentance / who had no mercy / will not have, which is the dawn . Terrible words, almost doomsday. Aldo Ferraris outcast humanity and dedication these lines late in accepting mercy and forgiveness from a higher spiritual and the divine sphere, and writes for all those who have somehow lost the traditional appointment with justice, with truth, with happiness, and in a word with the fundamental values \u200b\u200bof life. It is as I said a long monologue, in which the verses are linked together in effective enjambement that dictate the rhythm. And the words, the terms are never locked in their unique significance, but they adapt to extensions and extensions which affect mainly the emotional sphere, "the skin of the night ", " shake history", "a printed copy evil sky, "and many other expressions of the genre, full of glittering figures of speech and guess.
But the journey continues. After the first two poems, or rather sing, we find the third, entitled "Foreign ", again with a well-connected exergue of Baudelaire in the original French. After " Exile" and the author is "lost in a new clearing and as a child sings to exorcise fear . It 'obvious that the logical thread begins to glimpse the path that links them, the journey, the experiences of our poet-singer. And, stranger to the city and the world, he notes " sitting at the exact center of the day " and wait with patience and love the world and would be glad to call him at last. Wait, our singer, will wait to come back that old love, shown to him by an air of genuine, from the outskirts of heaven, and he remains motionless, pleading that air of hurry, " soon will be dark, Look at me now ! The conclusion of
the entire route of our poetical Aldo Ferraris, this book could not be a " Prayer" and he sees a line of light that can be reached without passing through the darkness. Living in harmony with nature, it is not getting the things you want, but those referred without awareness, you really need. A right balance, harmony is essential, without soverchierie and without deficits: a budget for living in perfect harmony with creation and adherence.
This conclusion, which is also the goal, in my opinion, the poetic and philosophical research Aldo Ferraris, which uses the word poetry with great experience and mastery, and with a wealth of content that the reader finds out from time to time, as opening up of Chinese boxes, content that reflects on the state of man and how it stands in relation to the world. Who did not lose will still have time to make peace with his conscience and his own identity as a man in search of natural balance.

Joseph Vetromile

Aldo Ferraris, "Who has not had forgiveness," Kairos Editore, Napoli, 2011. Necklace The words of Sibylla, directed by Antonio Spagnuolo. Foreword by David Morgan.

Mount&blade Strongest Faction

Inventors diseases: another video-inquiry

A year ago, is aired on Rai Tre - a summer night around midnight - a survey entitled Inventors diseases.

The documentary - edited by Nicole Dent (Vice-President 's Italian Observatory on Global Health ), Luca and Francesca Nava Change - talks about " morgering disease," translated into " marketing of diseases." How do you sell a drug to 10-20 million people? The investigation shows that farmaucetiche now companies are investing more in marketing and in research of new molecules. Marketing of fear.


You can see how a drug is riulizzato for diseases other than simply changing the name and color. It 's the case of the famous Prozac, Sarafem, which is used when calling the "premenstrual dysphoric disorder " in order to lengthen the duration of the patent. The pig did not throw anything away ...

And then also known as clinical trials and side effects, all interspersed with footage of a French comedy whose protagonist, a doctor who invents diseases to their patients, has the motto " there healthy people, but people more or less sick. "

spoke executives from major pharmaceutical companies, doctors, pharmaceutical informants, lawyers, economists and reporters.

Here are some phrases taken from the interviews:
" The only innovation in recent years in the pharmaceutical industry is marketing " (Marcia Angel)
" I called the pharmaceutical industry is a mafia because he acts and behaves exactly like the mafia " (Peter Rost)
" From the moment a case is made for a pharmaceutical company at the time this will have to pay a fine pass so long that the gain from the sale of that drug is much, much higher than the cost of the fine that the pharmaceutical company will pay "(KB Menzies, lawyer)
" They sell fear, fear of growing old, getting sick, afraid of being adolescents, fear of others "(M. Petersen)
"The Chadd, the group of patients for treatment of ADHD, has also admitted taking $ 700,000 from Novartis, the pharmaceutical manufacturer of Ritalin " (M. Oldani)

Want to see it? Then you just do click here to see Inventors diseases .

course we remember the most recent The pharmaceutical business.

Printable Pet Health Record

unpoetic mafioso, 105 poets for poets Voices of legality

The mafioso unpoetic
105 poets for the legality

by Gianmario
Epos Lucini Collection of poetry and social policy
CFR Editions - November 2010

"We are used: daily murder victims lying on the asphalt ... ... ... but this indifference is a symptom of evil, "David Puccini.

Moves Gianmario Lucini, in the preface to this volume, the comparison between the role of poetry in the classical and the current society. "The epic poem spoke of the polis, its people and its life, its problems, its doubts, its atavistic fears. It was a poem that can to stay within the historical society and to propose a very clear role, that of interpreter of the deepest humanity, to put it on stage even in its contradictions and paradoxes in his pain. Contemporary poetry instead, too often, is boring and monotonous I proposed a poetic solipsist, who does not care about the other, but only for himself, does not feel responsible for the communication process, but they put Gegenstand, in front, too often from a pulpit, from within a game whose rules are not clear to anyone. It's no wonder people do not read poetry. "
And then, just to trim down this sort" of self-defense by the non-sense of poetry fallen e auto-referenziale”, per stabilire un legame tra quel passato e il nostro presente, per riguadagnare il proprio originale ruolo, anzi, più, “nell’idea di assumere un ruolo speciale”, questa antologia poetica, soggiunge Lucini, “esprime il proposito di rottura con la cultura mafiosa e lo fa parlando alle coscienze, alle sensibilità individuali di ognuno”.

Gianmario Lucini è di Sondrio. La sua storia, tuttavia, lo ha condotto, negli anni 2008 e 2009, in Calabria. Lì ha operato, in qualità di volontario, presso l’Associazione don Milani di Gioiosa Jonica e tale attività lo ha portato a compenetrarsi, a commiserare, a schierarsi con quella gente e a decidere to spend, even more than he had previously done with the weapons at its disposal: the culture, poetry, speech, in favor of the people and against the evil that overwhelms the region. "From what I see there is no evidence in the papers ... only official news said in tone that it is agreed," he writes in his 2010 anthology of Wisdom, whose poems are inspired by the environment of Calabria and "are marked by disgust The mafia culture, the social violence and oppression wrought by the 'Ndrangheta. "

" The dead are called / on winter evenings when mowing the mistral / and their killers to account, " Gianmario Lucini.

L’esperienza calabrese, ritengo, ha vieppiù provato l’animo di Lucini e, benché pure riconosca che “la poesia non è certamente l’arma più adatta per vincere le mafie”, ha rinsaldato in lui il disegno dell’odierno progetto, giacché “la poesia, con altre forze sane della società, deve contribuirvi.”
Questa antologia, afferma oggi egli, è “un omaggio alla memoria di migliaia di vittime che hanno lottato per la libertà e la dignità del lavoro, della vita, per i principi che stanno alla base di una qualsiasi convivenza democratica e dunque per il futuro di noi tutti”. E, come per SAPIENZIALI, l’intento di questo libro “non è solo quello della denuncia ma anche di incitare alla rivolta morale, all’obiezione di coscienza e alla disobbedienza civile”, perché, riprendendo la provocazione di apertura, a quella barbarie non ci si abbia mai ad abituare.
Il progetto quindi è stato concepito prima dei nomi, a prescindere dai “nomi”. Ma questi in verità, attorno a quello, sono presto arrivati.
Tanti autori, i quali hanno consapevolmente aderito all’invito e hanno sostanzialmente preso posizione con i loro atti di poesia.
Nomi noti della cultura italiana contemporanea fianco a fianco di altri meno noti e fra loro, oltre al Nostro: Luca Ariano, Guido Oldani, Patrizia Garofalo, Ivan Fedeli, Antonio Spagnuolo, Fabio Franzini, Luigi Di Ruscio, Fernanda Ferraresso, Adam Vaccaro, Pasquale Vitagliano, Patricia Lanza, Joseph Panetta, Anthony Contilia, Vincenzo Mastropirro, Rose Sage, Alfredo Panetta, Della Porta Fortuna, Eugene Nastasi, David Puccini, Narda factors, Manuel Cohen, Carla Bariffi, Nadia Cavalera, Cinzia Marullo, Tomaso Kemeny, Gero Miceli, Giuseppe Vetromile, Giovanna Turrini, in a wide range of generations and age, between twenty and eighty years, and texts of great artistic value that alternate with others where the spirit of the testimony is the prevailing condition.
This volume, therefore, avoids the concept of the anthology in the orthodox sense of the term of choice flowers. The same Lucini, however, asserts that he intended to "put in brackets the need to select the text by selecting only the most prestigious literary point of view," reiterating that "it is much more important to get a clear signal, expressing a general willingness in the literary community. " With this

also hitting a further goal, that of a large turnout from Piedmont to Sicily, Sardinia and Veneto locations around the boot: Pavia, Novara, Milan, Asti, Cuneo, Rieti, Cagliari, Rome, Monza , Siena, Sondrio, Naples, Trieste, Verona, Padova, Bari, Perugia, Cosenza, Venice, Reggio Calabria, Turin, Bologna, Trapani, Genoa, Catanzaro, Ferrara, Livorno, Parma, Forli, Matera, Frosinone, Lecco, Avellino, Lecce, Varese, Alexandria, Reggio Emilia, Mantova, Vicenza, Agrigento, Pisa.

The themes, to make you just a hint, the urgency should be to distance itself from the physical and ethical Mafia, "I wash the decay I feel as soon as you close," Patrick Garofalo to realize that it is not / is not longer a localized phenomenon only in the South, "It is now all over the underworld," Nadia Cavalera, the disapproval of his cruelty, "they found him / burned the next day on a cattle track / with a stone in mouth, "Narda factors, incitement to the conscience and the healthy forces of society to oppose and defeat it," the poison to be taken down from the windows, / if we want to build, "Carla Bariffi, and so on. On the whole, however, imposes
, supported also by the solidarity, hope, all that remains whenever a Pandora's box is empty, and the hope that everything in this world as the Mafia will end sooner or later, will run out, will cease.

"Among the beauty and hell / are / One Hundred Steps. / A country does not mean being alone, "Giovanna Turrini.

Marco Scalabrino